Cover reveal! Here is the cover I did for Seanan McGuire’s Tricks for Free. Book seven in the InCryptid series. It releases March 2018 with DAW.
Megan Lara’s work came to my attention with her amazing posters for the cast of Firefly.
Her work has character (probably because she is herself a character and avid cosplayer), and she loves the forms of many past artists- from Mucha (my favorite, natch) to de Lempicka and the low art of tattoos and t-shirts. I hope that she enjoys creating the nerdy work as much as I love to see it.
I’ve loved Jody Lee’s work since the first covers of hers I saw (probably for Mercedes Lackey).
Her understanding of classic forms, color, and decoration are peerless. She was creating stunning (and instantly identifiable) line designs long before anyone else I knew – and I invariably use her work in courses I teach about the Dos and Don’ts of Branding and Marketing for self-publishers.
She is (along with my friend Paul Komoda) the artist I most want to own a lifelong monograph of.
Thanks to her husband’s superb painting, I’d seen Laurie Lee Brom’s face long before I actually met her. But seeing her paintings was a different thing entirely – luminous oil portraits with a hint (or more than a hint) of the Gothic. Her work is colorful and elemental, and the same sensibility and delight at putting a raccoon into the hoops of a skirt somehow removes the inherently clichéd quality of fairy wings. It’s a fine (and beautifully scrolled) line, but she walks it very well indeed.
Time for more Month of Love! Here are weeks three and four!
Month of Love – Week 3: Keys
As I thought about keys, I knew I wanted to show them in their glorious variety. I thought I had a plan, but then I saw the brilliant cover that Michael Kaluta had recently made for Joe Hill’s Locke & Key. There was no way I was going to compete with that!
But then I thought of a scene in Return to Oz – the game of finding things – and I remembered Silver, the Clockwork Girl of Oz. I’d invented her (and several other Oz characters) years ago for a still-secret project with old friend Keith Baker, and it struck me that she summed up much of what I was feeling. I hope you like her as much as she would like you.
Week 4: Metamorphosis for Month of Love
A Wind in the Door by Madeleine L’Engle
Meg Murry is changing, and so is the cancer that is eating her younger brother alive.
So too is the the ‘Drive of Dragons’ that Charles Wallace witnesses in the wood.
Metamorphoses bring risk but, if we are true and brave and kind, also opportunity.
Amy Crehore is a fine artist and musician.
After a long career illustrating for magazines like Rolling Stone and Playboy, her award-winning work is most often found in galleries these days (and sometimes on ukuleles).
She’s also an amazingly lovely person and friend (though I see her far less than I would like).
2013 was delightful in its variety. And while I cannot show (or in some cases even mention) some of that work (due to confidentiality agreements and other arcane processes), it all made for a challenging and rewarding year. Below is a short tour of the year’s many images:
Check These Out: 2014
As I’ve done each of the last 3 years, I painted a pin-up calendar in collaboration with a non-profit. This year it was The Clarion Foundation for their Writer’s Workshop – a fitting group for Literary Pin-Ups. It was an honor and a pleasure to work with so many talented authors and I am quite pleased with the result of our collaboration. Pat Murphy wrote a splendid piece about working with me on her painting.
The 2014 calendar I did is eligible for a Hugo as Best Related Work.
Lower left: Norwescon program cover, Lower right: Keycon program cover
13th Age and 13 True Ways
13th Age (which I Art Directed and painted with Aaron McConnell) did come out in 2013.
And while its follow-on book 13 True Ways isn’t out yet, below is the cover in progress (with several obvious instances of Aaron McConnell’s excellent pencil work still on display):
The Doom that Came to Atlantic City, a game I’ve been playing and talking about for decades, is finally set to appear (with rules by Keith Baker and pieces by Paul Komoda) in Q1 of 2014 from Cryptozoic. And in addition to adjusting the assets to create a print-and-play version, I reworked the assets for the final printing. Here are some of the card backs:
I worked with Patricia Smith on 15 pieces for Rich Baker’s game Primeval Thule.
I look forward to seeing the final book!
Andy Prieboy in Los Angeles
With the marvelous Aly Fell:
Painting over the pencils of Mark Dos Santos in the style of JC Leyendecker:
My annual live-painting carney-sideshow at the HP Lovecraft Film Festival
This year the audience suggested The King in Yellow at a Sushi Bar.
Before guesting at the North American Discworld Convention in July, I had begun a series of Small Gods, inspired in part by Terry Pratchett. But that was months ago, and at the rate of one per day, I have now completed more than 200. I post them daily on:
They can be purchased on my new web site at www.leemoyer.com/smallgods
I had some real breakthrough pieces in 2013 and I am looking forward to seeing where my work goes in 2014. Already on the agenda: 2 covers, an alphabet book, an overview of Hobbiton, a whole lot of Starstruck, and the desire to find a literary and merchandizing agent for the high-concept books I want to see published in 2015!