Before we get too deeply into the new year and new projects (Month of Love is already on the horizon with Theater Poster season right on its heels), here is a brief summary of some of my work from 2016 (not including numerous logos and too many still unreleased pieces).
Another year of great theater, and with ‘Hamilton”s star still ascendant, I was especially excited by ‘1776’ and ‘Rock the Presidents’.
The marvelous ‘Steven Universe’ was an occasion to gather some dear friends to model for this portrait of the Crystal Gems. Pearl and Amethyst were closely modeled on Claire and Marysia. Finding a model for Garnet proved difficult, so Venetia kindly stepped in. Reference is a funny business.
Here’s something you don’t see every day. A full painting of Cardinal Richelieu taken from a typophotogravure by the great Maurice Leloir. It was meant for the front of Lawrence Ellsworth’s firth-ever English Translation of Alexandre Dumas’ ‘The Red Sphinx’, but ended up on the back.
The Month of Fear was a highlight this year (as it is every year. My but I love the challenge!). This time the week’s prompts were (by row):
Wicked, Metamorphosis, and Doors.
Secrets and Darkness.
I’m now working on the lighter side of these ideas for Month of Love.
It was my great pleasure to work with Mamma Coal on the cover and design of her new record – an answer to Willie Nelson’s classic ‘Red Headed Stranger’.
The lovely Accalia was visiting from Winnipeg (for the yearly Rachel Brice Bellydancing Intensive. We’ll miss her this year), and posed for Allatu, a little-known Mesopotamian goddess of the underworld. And the always-fine Todd Lockwood gave me a few excellent critiques and suggestions at the end. How lucky to be doing this work with such fine friends to lend their expertise!