I saw a terrifying piece of LeUyen Pham‘s years ago in a Spectrum collection. In it, a woman was being strangled in her bed by a terrifying creature of nightmare. Later, I saw a disillusioned mermaid and her neurotic cat. The pieces were remarkable not just for the artist’s obvious skills and sense of humor – but also because these first pieces were the only that I’ve seen from her like them. After a college internship at a giant animation studio (where she helped lead the charge of digital animation), she opted to go solo – into the world of children’s books.
A couple years later, we were both invited to display at the Pixel show here in Portland.
These days, her work is always a delight (though I cannot help wonder where her earlier sly and genuine darkness has hidden itself, and where it might next be revealed).