The first time I saw Daphne Yap’s work it was on a book cover in Bud Plant’s delightful catalog of art books. It was an orange cover with a curiously costumed baby. And I hated it. But when I encountered the book in person that year at the SanDiego ComicCon, the cover and its lingering aftertaste were rendered instantly moot. Inside was one of the most astonishing collections of pencil work I’d ever seen, and from an artist much younger (and better) than I. And while she went on to work on Avatar, and many other projects, I’ll always remember judging her book by its cover.